A chair in front of green bushes with orange flowers overlaying the image.

Seats My Fat Body Hates

BY Madison Nanney

1. polypropylene stadium seating

2. cast-iron patio chairs with the arms

3. movie theater recliners with sides that don’t lift (screw the man that put the button on the arm, my thigh now controls the ups and downs)

4. adirondacks

5. the place at the table that’s too close to the wall, too close to let my little nephews through during the Thanksgiving dinners my body tells me not to eat

6. those white, plastic lawn chairs in every friend’s backyard

7. wooden adirondacks

8. banquet seats at the tables of weddings I only go to

9. plastic-wood chairs at every graduation

10. booths with tables that are bolted to the ground (who’s stealing the perch that the fold of my belly rests upon?)

11. rocking adirondacks

12. fellowship hall metal folding chairs, the ones that creak when even the children sit to color in the cross on their sheet

13. the bony lap of the man who didn’t love me back

14. the passenger seat of every 2012 Honda Accord

15. plastic adirondacks

16. stools of any height (my ass is not the circumference of a dinner plate)

17. the couch cushion I dent when my grandmother tells me to just lose the weight

18. the edge of my bed that dips on the mornings of first dates

19. the wooden swing on my front porch that groans in sync with my moans of not feeling good enough, not feeling great, not feeling thin enough to sit in a seat


Madison Claire Nanney is an MFA student studying at Mississippi University for Women. She spends her on-days working at a local craft store and her off-days writing poetry at her kitchen table. She has previously been published in FishFood Magazine and Itawamba Community College’s Calliope

Image Credit:”Menger Garden Chair” by Reg Zeimann
Printmaking, teaching art, guiding new teachers, studio / gallery life have led to art created at Southern Oak; focus digital collage. Images that began with inks and dyes on natural surfaces, now transformed through transparency into photographic layers. Images meant to be experienced outside the gallery, in inclusive architectural spaces.