My Co-Teacher Still Comes to School After Miscarrying

By Amanda DettmanN

Really it’s possible to believe she has nowhere
else to go but children—

the kids tuck in her stuffing as if she’s a bear
losing a threaded eye. She wants this year

to be dead and the dad who left her
when she was five. It confuses her

to not have had any stop signs, used
postage, raven claw omens, or blood,

releasing nothing but grace over
the toilet, squeezing her, then baptizing

her thumbtack head through, not in,
this bowl of water, mostly just

humming heavier, like a room
with chandeliers.

And worse is she never steps out
for a break, like her mother never left

the dinner table when her brothers threw
spaghetti at the walls; this shock the kind

when a childhood pet passes in sleep,
a familial thing always the most stunning.

Maybe her mother miscarried.
And the one before that

in a cabin or a creek or a dock
at summer camp. Maybe

she is waiting for a child to carry her
the way her mother never did, a star that crawls

down the throat like springtime.
One student repeats the word fat!

pointing to his spelling in red crayon.
Where did you learn that? she asks, rubbing

her stomach like a beer can at a birthday party.
My mum! he yells, cheeks the size of jam jars.

Only around lunchtime does she tell me
what happened—the doctor, the glove, the oil,

the bed. She has wrapped her rainbow
robe so tight I’m sure the string is screaming;

who chooses to carry the knot of the leaving? This
space a bean bag or lopsided desk, that purpling

sock in a cubby from last month.
And maybe today she is the most calm

because of her unknowing. No answer
or counting activity planned. We fill yellow

balloons in the back sink together to teach
matter, hips about to dislocate

our own gaseous beauty.


Amanda Dettmann is a queer poet and educator who is the author of Untranslatable Honeyed Bruises. She was the winner of the 2023 Peseroff Prize in Poetry; Dettmann’s work has been nominated for a Pushcart Prize and has appeared in FENCE, The Oakland Review, Portland Review, and The Adroit Journal.

Image Credit: David Boyle
David Boyle has painted many oil paintings since the mid-nineties which have sold well in Wellington, Palmerston Nth and has sold sculptures from Hastings City gallery New Zealand. David’s art has been seen in online magazines and paperbacks such as Last leaves, The Woodward Review, Five on the Fifth, Radar Poetry, Mollusk Lit.,Thimble Lit., Creative Mag, Club Plum, Thimble Mag and Backwards Trajectory with more coming. Website is boyleswellington.