EAT ME POOR

By Rebecca Joe

Devour me but do not chew. 
I do not wish my bones to crunch 
in your jaw. Consume me slippery 
as a shot of bottom-shelf whiskey. 

Lover, mother, father, friend, I will burn 
your throat as I leak from the hole 
in your voice, tracheotomy—a trailer park ailment
from too many puffs.

I will gather your forgotten cigarette filters,
arrange them into a bouquet, lovingly caress 
what you flicked into the road—

you giggled as your burning cherries were squished 
beneath the tires of cars that spun
down the roads of the mobile home 
court we spiraled down, but never free and away from,

like those handcuffs circled 
around your wrists, 
around your ankles,
broken from trying to run from fate. 

We are destined to be a snack 
of the system, feeding 
those who owned the prison 
that barred you, fattening the ones
who owned you. 

If I find the man who profits from your chains, 
I’ll barter for your freedom,
I’ll say, “Sir.” 

Sir, free us, sir, with the power you bought. 
Feed us scraps of your freedom. 
Sir, accept my payment. Spritz 
yourself with my estrogen—don’t I smell vulnerable? 

Sir, I match, don’t I, don’t I match your humanity? 
I belong to you and among you, don’t I? 

If my clothes leaked 
from my body and I dripped 
into your wife’s lingerie, you’d see we’re the same 
until we’re different, until we melt. 

We are convenience 
store candy smashed 
into your seats, a cheap 
taste, too messy. 

I’d whisper and breathe 
seduction out—sir, I belong.

Can we be seen as human,
even as human trash, see that? 
Be humane, call me, call us human,
any kind of human will do. 

Sir, love me as garbage. Wad me
as a wrapper. I want you to trash me, 
or I want you to buy me. 

If you cannot, will you eat me? 
I’d rather be inside your belly 
than inside this reality where love is 

smashed in the jawbone 
of a garbage truck, 
imprisoned by crushing metal.

Sir, inside you, I’d have more agency, 
so birth me or flush 
me, just don’t leave me here alone. 


Rebecca Joe (sometimes published under Kirschbaum) is a Northeast Ohio-based writer from Kentucky, with a deeply-rooted family history in Appalachia and the South. Her fiction, poetry & nonfiction work about home, sometimes called genre-bending, is often categorized as Southern Gothic and features themes of disenfranchisement, oppression, inequality & outrage. She received a Write Well Award in 2016 and has been featured in journals such as West Trade Review, Adelaide, Litro, Nasiona (among others) and on stage at Diversionary Theatre in LA and Gemini Ink Festival in San Antonio. Her poetry was featured in a recent anthology, Ecobloomscapes.

Image credit: “Float on Home” by Jacob Moniz
Jacob Anthony Moniz is a writer and visual artist from California. He holds degrees from UC Santa Cruz, NYU, and the University of Notre Dame. His writing has appeared in Catamaran Literary Reader, Penumbra, Chicago Quarterly Review, The Ocotillo Review, The Whisky Blot, and Southeast Review, among other journals and publications. His visual art has appeared in The Indianapolis Review, The 34th Parallel Magazine, Unleash Lit, Broken Lens Journal, and elsewhere. He is the recipient of a grant from the Institute for Scholarship in the Liberal Arts at the University of Notre Dame, which he used to fund a multimedia arts project based on his family history in São Miguel, Azores as a 2023-2024 Fulbright Student Researcher at the University of the Azores in Portugal. To learn more, visit jacobanthonymoniz.com