Four bathroom body icons, two men and two women, stand in front of a yellow background. Pieces of them are breaking off and floating away as if they are turning to dust.

Emergency Brake

BY ALEXANDER AMEEN

Lights rise on JEANIE and ZACK sitting across from one another on a subway car late at night. Jeanie is hastily wrapping a large candle. The car is mostly empty, save for a drunk and others decidedly minding their own business.

ZACK

Wow. That’s some gift.

JEANIE

Yeah, I know. It sucks. I ran outta ideas.

ZACK

I get it. Gifts are hard. At least it’s not for anyone too important, right?

JEANIE

Shit. (Beat.) It’s for my roommate.

ZACK

Oh no! Swing and a miss!

JEANIE

Shit.

Jeanie accidentally rips the wrapping paper and has to start over. It’s a cumbersome task.

ZACK

Do you want some help?

JEANIE

I don’t think it’s a two-person job, but thanks.

Zack pulls out a switchblade and SNAPS it open, holding it in Jeanie’s direction.

JEANIE (cont.)

Oh my god! Help! HELP!

ZACK

What?? No! No, no, no! It’s for the paper!

JEANIE

Why do you have a switchblade? Stop pointing it at me!

ZACK

I’m sorry! It’s to help you. I’m just trying to help.

JEANIE

Jesus. You can’t just pull a knife on someone on a subway. I don’t even know you, man.

ZACK

Aw, we see each other every day. You practically know me.

JEANIE

(Taking the switchblade)

It’s so shiny…

Jeanie cleanly cuts off a strip of wrapping paper.

JEANIE (cont.)

Okay. That was helpful.

ZACK

See?

JEANIE

Why are you carrying a switchblade? 

ZACK

It was a gift from my dad. Well, he left it to me before he died. 

JEANIE

Ah. A memento weapon. Neat.

ZACK

Tease all you want. It’s all I have to remember him by.

JEANIE

(Inspecting the switchblade)

This is actually really nice. Is this carved?

ZACK

It is. Listen, be careful.

JEANIE

I won’t break your knife. 

Jeanie cuts off another strip of wrapping paper and sloppily finishes wrapping the candle. She puts the wrapped gift on the seat next to her and begins playing with the blade, SNAPPING it open and closed.

ZACK

Okay, you can give it back now.

JEANIE

I will, I will. This thing is cool! So, what’s your name, anyway?

ZACK

It’s Zack please be careful with that.

JEANIE

It’s nice to meet you, Zack. I’m…

The subway car slams to a stop, which launches Jeanie into Zack. She leans away from him, and the knife is sticking out of his upper arm.

JEANIE (cont.)

Jeanie.

ZACK

(Calmly)

Hello, Jeanie. 

JEANIE

Hello. 

ZACK

Jeanie, I think you stabbed me in the arm.

JEANIE

Does it hurt, Zack?

ZACK

Yes, Jeanie. It hurts. A lot.

JEANIE

We have to get you to a hospital.

ZACK

I’d say so. Okay, I’m gonna carefully pull this out.

JEANIE

Oh my god.

Zack pulls the switchblade out of his arm and hands it to Jeanie. She uses it to cut off a strip of wrapping paper, which she then uses to clean the blood off the blade. She closes the switchblade and hands it to Zack, who puts it in his pocket. Jeanie then rips off a large strip of paper and starts to wrap it around Zack’s arm, something of a makeshift bandage. It looks ridiculous.

ZACK

(Sarcastically)

Good as new.

She completes the task with a large bow.

JEANIE

Can you stand? Can you walk?

ZACK

Yeah. I don’t think it’s fatal.

JEANIE

Let’s get off at this stop.

ZACK

Don’t forget your candle. 

JEANIE

Right.

She grabs it. They cross to the doors, waiting for them to open. A brief silence.

JEANIE

It’s crazy how we see each other on this commute every night and the first time we ever talk I end up stabbing you with your dad’s knife. I mean, it’s just crazy. Isn’t it crazy?

Zack quietly chuckles, which Jeanie catches. 

ZACK

Crazy. You know what’s really crazy? When I got on the subway tonight, I told myself that if I saw you, I’d ask you to go on a date with me.

JEANIE

That would’ve been really brave. You know, I’m just some stranger. Who knows how I would’ve reacted. 

ZACK

See, that’s why I carry a weapon. You can never be too careful in the big city.

JEANIE

There’s no way you could have known I’d been waiting weeks for you to ask me out.

The subway stops and the doors open. 

JEANIE (cont.)

I love Italian food. 

ZACK

Me, too.

They exit.

Blackout.


Alexander Ameen is a playwright and former U.S. Navy journalist. His work has been developed and presented with La Jolla Playhouse, The Old Globe, and OnStage Playhouse. His plays include Affected Place, The Stormy Present, and God Is a Sex Worker in Tampa, Florida. His short play Bonnie and Regina Say Goodbye to Hope is forthcoming in Qu Literary Magazine. He is a co-founder of Frontlines of Pride, a playwriting program for LGBTQIA+ veterans and military-connected artists in partnership with Diversionary Theatre and the Armed Services Arts Partnership. He is a member of the Dramatists Guild. He can be found on Instagram @alexanderameen or at his website alexanderameen.com

Image Credit: “Fading Identities” by Fabio Sassi
Fabio Sassi is a visual artist living in Bologna, Italy. He makes acrylics and photos using what is hidden, discarded or considered to have no worth by the mainstream. His work can be viewed at https://fabiosassi.foliohd.com